![]() Roberts' insight and clear explanations."-David Vayo, Illinois Wesleyan University. "Since 1990, I have been making use of The Latin Tinge as the required text in my course on Latin American music.I am pleased at the prospect of increasing numbers of students benefiting from Mr. "That rarity, a genuine 'first' the only book ever to have covered the crucial contribution that Latin rhythms made in forming our uniquely American idiom."-Pete Terrace, Cash Box. Dominique-Rene de Lerma, Black Perspectives in Music. "A provocative study, secure in its data.Roberts virtually has this subject cornered."-Dr. "Demonstrates a non-purist, open ear that is rare and welcome.a solid, up-to-date and balanced examination."- Kirkus Reviews. "Roberts treats his subject with singular affection and respect only a true fan and student can give.makes the unclear clear, tracing the history of 'Americanized Latin' music on records, the stage, and in the movies as well as an informative look at the genuine Latin styles that evoked the fad fires."-Carlos de Leon, Nuestro Magazine. ![]() "Roberts cares passionately about Latin music and he is able to describe what he hears in it clearly enough to enable the non-Latin listener to hear it, too."-Robert Palmer, The New York Times Book Review. With an update on the jazz scene and the careers of legendary musicians as well as newer bands on the circuit, the second edition of The Latin Tinge sheds new light on a rich and complex subject: the crucial contribution that Latin rhythms are making to our uniquely American idiom. Now, in this revised second edition, Roberts updates the history of Latin American influences on the American music scene over the last twenty years.įrom the merengue wave to the great traditions of salsa and norteña music to the fusion styles of Cubop and Latin rock, Roberts provides a comprehensive review. With the first edition of The Latin Tinge, John Storm Roberts offered revolutionary insight into the enormous importance of Latin influences in U.S. Latino rap has brought a musical revolution, while Latin and Brazilian jazz are ever more significant on the jazz scene. The Tejano superstar Selena and the tango revival both in the dance clubs and on Broadway are only the most obvious symptoms of how central Latin music is to American musical life. ![]() Oxford Research Encyclopedias: Global Public Health.The European Society of Cardiology Series.Oxford Commentaries on International Law.His extensive collection of memorabilia, including musical instruments, records, piano rolls, sheet music, photographs, books, and periodicals, is now housed at THNOC’s Williams Research Center, where it is available to the public. This program is sponsored by the Derbes Foundation.īorn Russell William Wagner (1905–1992), Bill Russell was a modernist composer as well as a jazz historian and collector who focused on traditional New Orleans–style jazz. Michael White and his Original Liberty Jazz Band will combine live performance and lecture to explore the Afro-Latin rhythms from Cuba and the West Indies that influenced Jelly Roll Morton and subsequent generations of jazz musicians. For the 2020 program, the celebrated historian and clarinetist Dr. Registration will open at a later date.Įach year the Bill Russell Lecture at The Historic New Orleans Collection shines a spotlight on the early jazz scene in New Orleans. Due to the coronavirus, this event has been postponed to Wednesday, September 30, 2020.
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